一个音乐剧版本的查尔斯·狄更斯的《圣诞颂歌》，一个吝啬的厌世者被带上了一个神奇的旅程。
1930年代，上海。神偷包德（淳于珊珊 饰）大名鼎鼎，疾恶如仇，他收养了一批无家可归的孤儿。一日，包德用窃来的伪钞到赌场赚取大把美钞，朱督察（安瑞云 饰）发觉后命巡捕辑拿包德。法庭上，大律师夏炳运（周里京 饰）为包德作无罪辩护，包德得以当庭释放。后夏炳运出任赈灾委员会主席，妄图独吞赈灾款200万元，并栽赃包德，不明就里的法庭判处包德50年徒刑。夏的同伙李三（计春华 饰）趁机骗走包所收养的孤儿，训练他们做小偷。包德幸而被夏的女儿嘉惠（剧雪 饰）相帮逃出牢笼，他救出被骗的孤儿，同时也获取了夏炳运的罪证。夏炳运夫妇荒乱中将赃物扔进了粥锅，包德见状，心生一计......
初任上海警察队长的陈虎（释小龙 饰）接到一桩命案，死者何满君（白龙 饰）是上海政府军政部要员之子，也是圣马丁高中的一名学生。为了获得一手破案信息，陈虎不得不乔装学生混入学校。高中学习生活令不擅读书的陈虎苦不堪言，屡屡出糗沦为笑柄；与此同时他一边查案，一边与各方势力展开较量；何满君之死迷雾重重，一个又一个的嫌疑人出现又被排除，谋杀真相到底如何，真凶到底是谁？
超能者存在与我们身边，但他们的生活并不想欧美大片里超级英雄那么风光，他们往往是我们身边最普通的人，...
故事描述康熙(尔冬升 饰)少年嗣位，太后(恬妮 饰)急欲替其完婚，遂选纳大臣之女纳兰琼瑶(王祖贤饰)为妃，但琼瑶为争取婚姻自由离家出走，康熙亦乐得不用成婚。後康熙不耐宫中生活刻板，决定微服下江南游玩，却偶见女扮男装的琼瑶；二人结伴同游，分享在民间遇见的种种趣事…
刘小唐是一名普通捕快，从小励志要做一名像父亲一样的大英雄！终于他破获了一个大案件，升职到了六扇门，但却遇到仇家打击报复，遭陷害成为杀人凶手，被女侠晴儿所救，他们相互扶持查找真凶的过程中，意外发现另一桩案件线索，不顾自己安危顺藤摸瓜，再次破获大案，解救了无辜百姓，伸张了正义。本剧通过讲述一个胸怀正义的普通人，经过自己的努力，一步一步实现梦想，维护百姓生活安宁的故事，展现了人性坚韧善良，不惧困苦；为了守护梦想勇往直前，永不退缩的一面。刘小唐的小小梦想，也是大家共同的梦想，因为有了很多刘小唐和晴儿一样的人，不论男女老少，身份地位，都一样的付出，舍小家为大家，才能换来社会和谐美满，文明富强；百姓安居乐业，平安无忧。
影片讲述了从洛杉矶来的两个单身女孩的约会场景，并引发一段段爆笑故事，究竟两个单身女孩能不能找到属于自己的另一半呢？
影片讲述四个“异类”——“垃圾侠”盖瑞特·加里森（杰森·莫玛 饰）、亨利（塞巴斯蒂安·汉森 饰）、娜塔莉（艾玛·迈尔斯 饰）和道恩（丹妮尔·布鲁克斯 饰）——正为生活中的琐事苦恼时，突然被拉入一个神秘的传送门，进入了“主世界”：一个依赖想象力的奇异方块乐园。为了回到现实 世界，他们不仅要掌握这个世界的规则，还要在不速之客——资深工匠史蒂夫（杰克·布莱克 饰）的帮助下，迈上一场魔幻探险之旅。探险之旅充满挑战，五人必须要勇敢面对，发掘各自独特的创造力。创造力，正是他们重返现实世界的关键技能。
以泰州市公安局海陵分局城中派出所为原型，故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警，被安排给社区修路和走访4000多户居民，并在所长的帮助下克服了自身问题毛病，从而成长为一名真的社区民警。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
本节目借由最新资讯，追溯英国皇室如何在过去100 年来，挺过权力争夺和政治倾轧。
影片讲述了三十年前，乒坛老将杨国强（妹大爷 饰），为照顾孙儿杨双喜（蘑菇头饰），放弃了人生最重要比赛。如今杨国强患老年痴呆，杨双喜得知当年真相，感动不已。为了圆满爷爷的人生，他游说几个身怀绝技的民间乒乓球高手，带着爷爷踏上了夺冠征程......
亨利（米基·洛克 Mickey Rourke 饰）是一位名不见经传的小小作家，久久无法成名的苦闷让他将晚上的时光全部都花费在了酒吧中。陪酒女旺达（费·唐纳薇 Faye Dunaway 饰）是亨利的心头好，她的美貌和热情深深的吸引着后者，尽管亨利明知道旺达和酒保艾迪（弗兰克·史泰龙 Frank Stallone 饰）艾迪之间有着非常暧昧的关系，但他还是无法放弃自己对于旺达的感情。 一次偶然中，亨利邂逅了名为塔利（艾丽丝·克里奇 Alice Krige 饰）的艺术投资人，塔利一眼就相中的了亨利的才华。亨利将塔利当做自己出人头地的踏板，但随着时间的推移，亨利发现自己根本就无法融入塔利所身处的阶层。
