592
3.0

巴黎谍影

导演:
皮埃尔·莫瑞尔
主演:
约翰·特拉沃尔塔,乔纳森·莱斯·梅耶斯,卡夏·斯穆特尼亚克,梅丽莎·玛斯,Richard Durden,Bing Yin,艾波·罗丝·雷瓦,艾力克·高敦,François Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,丽贝卡·达扬,Michaël Vander-Meiren,Didier Constant
别名:
未知
3.0
592人评分
英语
语言
未知
上映时间
未知
片长
简介:

  法国青年瑞斯(乔纳森•莱斯•梅耶斯 Jonathan Rhys Meyers 饰)在大使馆中工作,同时他还是美国情报部门的见习人员,精明强干的瑞斯对“换车牌”,加窃听器之类的任务自然是驾轻就熟,但是他很快迎来了真正的挑战——配合探员瓦克斯(约翰•特拉沃塔 John Travolta 饰)在巴黎的行动。
  瓦克斯作风强硬,举止粗暴。恍如漫画中走出的美国英雄,甫一下飞机,便咬住了毒品的线索一路大开杀戒,先后与华人、巴基斯坦和黑人帮派连番激战……瑞斯对神奇的瓦克斯目瞪口呆之余,也渐渐跟上了他的节奏。任务接近尾声之时,两人意外发现瑞斯居然也是恐怖分子的目标人物之一,原来恐怖分子们以瑞斯为突破口,试图刺杀赴法访问的美国高官,于是这对临时搭档,迅速整备出发……

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主演:金·凯瑞,彼得·里格特,彼得·格林纳,卡梅隆·迪亚兹,艾米·雅丝贝克,理查德·杰尼,Max,Orestes Matacena,Jim Doughan,蒂姆·巴格来,南茜·费什,雷格·E·凯蒂,丹尼斯·弗雷斯特,本·斯坦,布莱克·克拉克,克里斯托弗·达尔加,乔莉·费舍尔,凯文·格雷维奥斯,Robert Keith,爱沃瑞·欧欣,Robert O'Reilly,Eamonn Roche,Wendy L. Walsh,梅多·威廉姆斯,加雷特·佐藤,吉普·斯温森,Peter Wick
简介:

  银行小职员斯坦利(金•凯瑞 Jim Carrey 饰)老实本分,过着和所有老实人一样的平凡生活。一次,斯坦利在接待金发美女蒂娜(卡梅隆•迪亚茨 Cameron Diaz 饰)时深深恋上了对方,不料蒂娜却是黑帮头目多利安(彼得•格林纳 Peter Greene 饰)抢劫银行前派来打探地形的。多利安随后成功抢劫了斯坦利所在的银行。
  一晚,斯坦利意外获得了一个奇怪的面具。戴上面具后的斯坦利变得力大无比、身手敏捷。斯坦利开始四出捉弄平日欺负他的人,并抢走了多利安劫得的巨款,与蒂娜在夜总会尽情飞舞。多利安知道了面具的威力后,用计夺走了面具,斯坦利则被关进了监狱。斯坦利最后能否凭自己的智慧夺回面具,与蒂娜有情人终成眷属?

1072
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主演:金·凯瑞,彼得·里格特,彼得·格林纳,卡梅隆·迪亚兹,艾米·雅丝贝克,理查德·杰尼,Max,Orestes Matacena,Jim Doughan,蒂姆·巴格来,南茜·费什,雷格·E·凯蒂,丹尼斯·弗雷斯特,本·斯坦,布莱克·克拉克,克里斯托弗·达尔加,乔莉·费舍尔,凯文·格雷维奥斯,Robert Keith,爱沃瑞·欧欣,Robert O'Reilly,Eamonn Roche,Wendy L. Walsh,梅多·威廉姆斯,加雷特·佐藤,吉普·斯温森,Peter Wick
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主演:Matthew Broderick,Jeanne Tripplehorn,Tim Guinee
简介:

  Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
  By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
  Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
  One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
  While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
  Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

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