被帕塔克(苏尚特·辛格·拉吉普特 饰)寄予厚望的儿子拉加夫高考失利,因无法忍受“失败者”的标签而发生意外。面对病床前丧失信心的儿子,帕塔克讲述了大学时代,自己与朋友们以及前妻玛雅(施拉达·卡普尔 饰),为了完成“失败者”的逆袭,在冠军联赛中“损招”尽出的故事。一段啼笑皆非的青春往事揭开帷幕,他们会实现最初的梦想吗?
美丽的欧洲公主前往美国纽约,寻找到她六年前爱上的报纸专栏作家。在豪华的纽约酒店,她被一位善良的服务员误认为是女仆。酒店的行李员在遇到这名欧洲公主后也开始忽视他的女朋友。
片山辉彦(山田孝之 饰),男,29岁,赤富士药品公司王牌销售员。某天他意外晕倒,醒来后因头部受到冲击而出现暂时性的失忆症,他的包中藏有一枚戒指,但是究竟这是要送给谁的却毫无头绪。与此同时,三个背景和性格完全不同的女性交替出现在片山的身边,分别是同公司的前辈美貌和才华兼备的住友智惠(小西真奈美 饰)、开朗乐观的风俗店巨乳娘潮崎惠(真木阳子 饰)以及在公园表演傀儡戏经常伤痕累累的铃木和歌子(池胁千鹤 饰)。似乎片山一直在与她们同时交往,随着戒指争夺战的升级,片山也渐渐被带回失忆前的原点…… 本片根据芥川奖获奖作家伊藤たかみ的同名小说改编。
以泰州市公安局海陵分局城中派出所为原型,故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警,被安排给社区修路和走访4000多户居民,并在所长的帮助下克服了自身问题毛病,从而成长为一名真的社区民警。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
乔(尼克·罗宾逊 Nick Robinson 饰)的母亲在他很小的时候就离开了他,现如今,他和父亲弗兰克(尼克·奥弗曼 Nick Offerman 饰)过着相依为命的日子。弗兰克是一个非常独断专行的男人,控制欲极强的他无时不刻的想要控制乔生活里的方方面面。和乔境遇相同的还有帕特里克(加布里埃尔·巴索 Gabriel Basso 饰),他也因为家人们的过度关注而感到窒息。 一天夜里,乔和好友比阿基奥(莫伊塞斯·阿里亚斯 Moises Arias 饰)意外发现了一处人迹罕至的森林,和帕特里克一起,感受到了大自然召唤的孩子们决定离家出走,在这片森林里建立他们的乌托邦,这段牢不可破的友谊在一位名叫凯利(艾琳·莫里亚蒂 Erin Moriarty 饰)的女生介入之后,发生了微妙的变化。
影片讲述集团老总宋明和助理与卖菜人魏涛发生轻微的交通事故,在加油站等救护车,巧遇护送三位心理压力患者的丁司机来加油,宋明他们阴差阳错地上错了车,被带到阳光减压中心后,才意识到被角色互换了,三人越是绞尽脑汁想证明自己是正常人,越是得不到心理减压师的认可,三人精心设计的爆笑逃跑计划。
草根导演杜子腾为拍摄自己的首部电影,与同样拥有影视梦的替身女演员李梦琪、龙套演员张华、流浪歌手大雨等有志青年风雨偕行,最终凭借自己的努力收获知名制片吴涛的认可与投资,开启了属于自己的影视项目。
男童节当天,刚刚结束外出旅行的阿寅(渥美清 饰)本想为满男买些鲤鱼旗庆祝,但却因为一些小事情而搞得不欢而散。心情郁闷的他决定再次踏上旅程。在路上,他偶然发现一个情绪低落的女子在河边徘徊,而当他回到旅馆时,竟然又遇到了这个女子。深感同情,阿寅邀请她品尝当地的特色菜,但却让他陷入了经济困境。 在返回的路上,阿寅与一个出身贵族的老人相遇,并建立了一种不解之缘。这位老人失去了自己的小儿子,而儿媳橘子则离家在外。当初,因为橘子的出身是平民,她和老人之间因门第观念而发生了矛盾。现在,老人渴望找到她,解除内心的不安。机缘巧合之下,橘子竟然就是阿寅在旅馆中遇到的女子。两人心存忐忑,但渴望相见,终于化解了彼此之间的误会。老人甚至考虑让阿寅成为橘子的人生伴侣,这一切都让阿寅陷入了犹豫和纠结之中。他不知道自己该如何选择,但心中却充满了对未来的期待和对爱情的感动。
一个人神共存的时代,由人心演变的能量组织——正能量与负能量小组,分别引导人类行好运或衰运。“扫把星”刘白(陈国邦 饰)带领阿明(冯博 饰)走向衰运,但因与组内另一队员夏情(陈嘉桓 饰) 竞争,最终没料到竟将衰事变成好事...
这次摩根一家计划了一个完美的假期,但老爸丹的往事继续困扰着他们。
贝蒂(芮妮·齐薇格 Renée Zellweger 饰)是一个平凡的女招待,有一个个性令人讨厌的丈夫戴尔(艾伦·艾克哈特 Aaron Eckhart 饰)。生活并不如意的她只能将自己全身心的投入到了电视里播放的肥皂剧当中去,在那里,完美的戴维拉威尔医生(格雷戈·金尼尔 Greg Kinnear 饰)永远都用他那性感的微笑等候她的光临。 在一次危险的毒品交易中,戴尔被杀死了,听闻此消息的贝蒂在瞬间意识到,自己的新生活开始了。没有了丈夫的桎梏,贝蒂决定驾车前往洛杉矶,去寻找戴维拉威尔医生,幸运的是,贝蒂竟然被制片人相中,成为了医生新助手的扮演者。尚且沉浸在喜悦之情中的贝蒂不会知道,毒贩们已经盯上了她。
两个情同手足的少年,在这座城市一起长大。因为宿命使然,他们分道扬镳,其中一个要去外面闯荡,另一个则选择留下,于是在出发前晚,两人相聚一个小餐馆,约定二十年后的同一日期、同一时间,来到这里再次相会。 二十年后,桑晓遍体鳞伤的回到了原地,却发现小餐馆已经变成了十字路口,他在那里等了许久,遇到一个等夜班车的男子,两人聊起了二十年前的那个约定,让桑晓没有想到的是,这个男子就是约定好二十年后跟他再见的苏强。而更令人想不到的是,二十年的岁月磨洗,已经让桑晓变成了一个恶行昭彰的通缉犯,而苏强却成了一个正义无私的警察。兄弟二人重逢在十字路口,再次面临宿命的选择。