9岁的瑞切尔被父母包围，填满了爱和肉丸子，她时时计算着将她与自由分开的分分秒秒。直到她碰到了固执勇敢的瓦莱丽。
《新宿天鹅2》的故事舞台随着同名漫画续作发展，搬到了日本横滨上演。男主角白鸟龙彦（绫野刚 饰）将与浅野忠信所饰演的“横滨巫师”社长泷正树正面对抗，在漫画中，泷正树是“新宿天鹅史上最恐怖的敌人”，这个角色，由怪咖影帝浅野忠信来演绎简直再合适不过。
本片上演了一出雇凶杀人的黑色喜剧，改编自著名舞台剧，荣获圣地亚哥电影节最佳剧本奖。
黄伯虎（陈浩民 饰）、刘浩南（何浩文 饰）和排骨（林子聪 饰）是青梅竹马的玩伴，彼此之间感情十分要好。他们共同喜欢一部名为《唐伯虎点秋香》的经典电影，时时拿出来重温。长大之后，三人走向了不同的道路，黄伯虎成为了警探，刘浩南是泊车小弟，而排骨则成为了发明家。 一次偶然中，排骨用自己发明的时光机做实验，竟然在误打误撞之中将自己和两个兄弟欢送到了《唐伯虎点秋香》中的世界里，在那里，他们遇见了祝枝山（陈百祥 饰）。祝枝山告诉三人，这个世界里的唐伯虎早已经跑路了，于是黄伯虎决定代替唐伯虎去华府应聘。
喜爱美食的anya这次踢到了铁板，热衷于维护体态的男友抛下了她，投向了纤细女子的怀抱。痛定思痛的她向最好的朋友nick求助，两人开始在饮食与体态控制的小确幸。
如小熊从冬眠中醒来，我已开始爱上这样的一个你。」在图书馆里，Hyun Choi (Bae Du Na)发现书中留下这样的一句话，再看另一本书，也是冩著同一句话。到底是谁留下的字？不知不觉间，这句话已扣著Hyun Choi的心弦，她要找出那个静静留低这些话的人…… Hyun Choi是普通朝九晚五办公室上班一族，过去经常因为性格太倔强，多次遭男友们抛弃。当她决定要找出那个神秘留话人的时候，原来真正的爱情已在那一刻发生。 Yong Lee首次执导之作《Do you like spring bear?》，由Bae Du-na及前身为模特儿的Kim Nam-jin主演，清新演绎一段神秘浪漫的现代爱情。
An obsessively punctual comprehensive school headmaster sets out to give an important speech at the annual Headmasters' Conference.
黑社会大哥八爷身患绝症，弥留之际将社团事务托付给即将由意大利回港的义子九纹龙黄九弟（刘德华 饰），并委托兄弟七爷（吴孟达 饰）和保镖小朱（郭富城 饰）尽力辅佐。权利旁落令社团实力人物龙爷（袁和平 饰）和后起之秀啸天心中颇为不满。与此同时，在印度的机场，侏儒黄九弟与和其面貌一样，但是只有儿童心智的心算天才李小灵阴差阳错的交换了身份，李以九纹龙的身份被七爷和小朱接回，但是徒有成人外貌的李终日只将精力放在游戏上，李因手下的暴力行为被带入警局，心地善良的李与警方达成共识，承诺将社团改造为维护治安的力量。李对龙爷之女静莹（关之琳 饰）一见钟情，龙爷却趁此联络啸天，意图在婚礼期间置李于死地……
陆地兵营的Ken和罗邦改为到蛙人海军处报到，以及他们在训练时遇上了香港移民过来的黑社会石黑龙（黄恺杰饰）以及人称天下第二的蛙人教官（张智扬饰）所发生的故事。
阿中是專業的特技演員，在他所指導的替身團隊一起努力之下，一部知名導演所執導的動作大片現正熱血拍攝中。沒想到導演為拍好這部片，向高利貸籌措的大量資金，全被黑幫集團給騙走了。阿中決定挺身幫助導演完成他的夢想，靠著過人的武打技術與黑幫周旋，片場頓時成了真槍實彈火拼的戰場。
本片讲述了一个从小生长在老城区小吃店但痞气十足的女孩和一个出生优渥且自命不凡的白富美校花，因为一次意外事件，让原本截然不同的人生进行了交换。她们互相嫌弃，却又不得不承载着对方的身躯前行。 在一次又一次的矛盾和嬉闹中，从针锋相对到心照不宣；在互换人生的冒险之旅中，明白了什么叫帮助他人才能成就自己！最终实现了各自的梦想，获得了校花桂冠，一起传承了祖辈的文化精髓。更重要的是，认识了不一样的自己，实现了成长和蜕变！ 影片结合了具有闽南特色的南音文化，以古朴大社、嘉庚式建筑和百年古厝作为主要场景，浓缩了闽南人坚韧、开朗、沉稳、豁达的性格，成为阐述女主人公性格特征的一个巧妙注脚，给故事发展带来铺垫。观众可以跟随故事追寻闽南古老的印记，“不经意”间会发现淳朴的美丽、宁静和韵味，让人向往不已。影片用最接地气的方式让年轻人在欣赏充满奇幻色彩故事的同时，能够领略到中国传统文化的魅力。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
9岁女孩菲比（艾丽•范宁 Elle Fanning 饰）进入学校话剧团，饰演《爱丽丝梦游仙境》的主角爱丽丝，话剧老师道吉尔小姐（帕特里西娅•克拉克森 Patricia Clarkson 饰）对菲比赞誉有佳。但话剧团外的菲比却问题重重，因向同学吐口水和无法控制自己的行为而屡遭麻烦。菲比的母亲希拉里（菲莉丝蒂•夏夫曼 Felicity Huffman 饰）拒绝承认菲比身患强迫性神经官能症的事实，面对多重压力，希拉里与丈夫皮特（比尔•普曼 Bill Pullman 饰）的矛盾频繁升级。与此同时，菲比的症状日益加剧，头脑中的幻象与现实的界限越来越模糊，而校方也对道吉尔小姐对孩子们的教育方法不满。精心排演的《爱丽丝梦游仙境》最终还能公映吗？
