如何众叛亲离

　　一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目，他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰，警铃声响将被抵销……
　　班被债主迫得走投无路，决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目，然后溜进隔壁的银行偷窃，利用音波互相干扰来抵销警铃声响。怎料波折重重，这群笨贼屡次失手，国际刑警突然出现，死对头又走来搞破坏……

　　保罗·吉亚马提（Paul Giamatti 饰）是纽约一个剧团的演员，他正在排演契诃夫的戏剧《万尼亚舅舅》。但是这出戏让他身心疲惫，几近崩溃。偶然机会，保罗找到一家名为灵魂仓库的机构。利用先进的技术，保罗成功地将自己95%的灵魂提取出来。在此之后，他的演技没有任何进展，反而常常感到莫名的空虚，并且性格也发生变化。为了回归正常生活，保罗在医生的建议下“安装”了一个俄罗斯女人的灵魂，但却让他更加烦躁。他强烈建议要回属于自己的灵魂，却发现原本妥善保存的灵魂已经不翼而飞……
　　本片荣获2009年捷克卡罗维发利国际电影节最佳男主角奖（Paul Giamatti）。

　　蒂亚戈（法布里齐奥·本蒂沃利奥 Fabrizio Bentivoglio 饰）在电台勤勤恳恳工作了一辈子，如今却因为电台想要引进新鲜年轻的血液而遭到了替换，失望又愤怒的他选择了辞职。安吉拉在一场相亲中邂逅了一名年轻男子，他让安吉拉找到了恋爱的感觉，可是安吉拉没有想到的是，这个男孩竟然是自己闺蜜的儿子。
　　乔治年近五十，却有一个年轻貌美的女友，这令他的朋友们感到非常的羡慕。然而，不知足的乔治却偏偏爱上了和他年龄相近的理疗师，他隐瞒了自己并非单身的事实，同她偷偷的约会。老去是每个人都无法避免的命运，究竟是从容面对还是逃避？每个人都作出了不同的选择。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　故事发生在一个美丽的鸟类王国之中，某日，反对派的叛变破坏了这里的宁静。主人公丑小鸭（苏倩芸 配音）的父母为了保护琉璃鸟而神秘失踪。为了解开琉璃鸟的秘密，找到自己的父母，丑小鸭和好朋友丑小八（王雪沁 配音）踏上了寻找老猫法师的征程。然而，他们并不知道危险正在悄然逼近。
　　在反对派的鼓动下，鸟类对人类发动了战争。为了阻止战争的进一步扩大，丑小鸭决定登上琉璃塔，这是一座神秘的塔，背后可能隐藏着天大的秘密。这个决断表明了丑小鸭为了保护王国和解开谜团愿意付出一切。前方等待着丑小鸭的将会是什么，可能是艰难的冒险、重重困难，以及关乎整个王国未来的秘密。

　　曾经不可一世的厨神王金银（白云峰 饰）在比赛中遭遇意外，武功尽失，一觉醒来竟发现自己衣衫不整，身无分文被当作快递寄到了陌生的凤城菜市场，更被美女老板阿珍（萌小叶 饰）误当变态扭送警局。两人不打不相识，善良的阿珍收留了无家可归的王金银。王金银开始了在阿珍私房菜馆啼笑皆非的卖身打工日子。但神秘势力接踵登场，阿珍的酒鬼养父，对阿珍势在必得的大头斌，神龙见首不见尾的陈大师，还有王金银的宿敌小林三郎…各人心怀鬼胎，齐聚凤城，即将在这厨师之乡掀起一场更大的大风暴……阿珍和王金银能否携手战胜对手，破解阴谋？

　　西蒙·佩吉饰演一个从儿童文学转向犯罪小说写作的作家杰克，为了写作一个名为《几十年的死亡》（Decades of Death）的剧本，天生胆小的杰克开始调查一些维多利亚时期连环杀手的资料，导致自己患上严重的妄想症，总是臆想自己会遭到谋杀。就在杰克生活搞得一团糟的时候，一个神秘的好莱坞片商却对他写出的剧本表示出极大的兴趣。

　　男童节当天，刚刚结束外出旅行的阿寅（渥美清 饰）本想为满男买些鲤鱼旗庆祝，但却因为一些小事情而搞得不欢而散。心情郁闷的他决定再次踏上旅程。在路上，他偶然发现一个情绪低落的女子在河边徘徊，而当他回到旅馆时，竟然又遇到了这个女子。深感同情，阿寅邀请她品尝当地的特色菜，但却让他陷入了经济困境。
　　在返回的路上，阿寅与一个出身贵族的老人相遇，并建立了一种不解之缘。这位老人失去了自己的小儿子，而儿媳橘子则离家在外。当初，因为橘子的出身是平民，她和老人之间因门第观念而发生了矛盾。现在，老人渴望找到她，解除内心的不安。机缘巧合之下，橘子竟然就是阿寅在旅馆中遇到的女子。两人心存忐忑，但渴望相见，终于化解了彼此之间的误会。老人甚至考虑让阿寅成为橘子的人生伴侣，这一切都让阿寅陷入了犹豫和纠结之中。他不知道自己该如何选择，但心中却充满了对未来的期待和对爱情的感动。

　　胖女孩特蕾西（尼科尔·布朗斯凯 Nicole Blonsky 饰）生长在60年代的一个普通美国家庭。她迷上了一个电视选秀的舞蹈节目，并梦想能站到舞台上发光发亮。然而特蕾西的母亲，自小因为肥胖而缺乏自信，常常担心肥胖是特蕾西的绊脚石。不料特蕾西在节目中的出色表现，令她的前途顿时开阔。甚至大家对她的喜欢，胜过了本来非常得宠的艾姆伯小姐（布兰特妮·斯诺 Brittany Snow 饰）。
　　欢喜之余，特蕾西却迎来了事业的急剧转折。一方面，艾姆伯为了保住地位，不惜用尽卑劣手段力挽狂澜，甚至不惜勾引特蕾西的父亲，使得其家庭不和。另一方面，当时社会严格实行种族隔离，特蕾西还陷入了一场种族斗争之中，危险的形势随时会把她的事业前途毁于一旦。

　　这次摩根一家计划了一个完美的假期，但老爸丹的往事继续困扰着他们。

　　一个新郎不小心在牙买加的一个swingers度假胜地预定了他的目的地婚礼和蜜月。

　　来自山村，却爱好古玩的“老七”，带着侄子“小七”在城市里做瓦匠。老七希望能赚到钱，在城市里买上房子，然后把老娘、妻女接来共同生活，再给侄子找一个城里姑娘做媳妇。而他的侄子小七，却一心想着攒够三万元钱就回山村，完成他和乡村女教师秀花的梦想：给山村孩子们盖上宽敞的教室。叔侄俩为一去一留斗智斗勇。