饭岛夫妻买了块儿地准备自己盖栋房子,于是拜托了妻子的学弟柳泽进行设计,妻子的父亲长一郎担任木工主任。柳泽是美国留学归来小有名气的室内装潢设计师,满脑子现代艺术观念,而长一郎是个一流的日式传统木工,在他眼里没有比和式住宅更美好的事物,建造工作就在两个人不断的摩擦中开始......
在创业浪潮影响下,大学生元宝突发买头西班牙公牛做配种生意的奇想,说服父亲牛长寿和父亲的相好周会巧凑钱成立配种公司,马经理也趁机接手了一家频临倒闭的养牛公司,他们都自信有办法一夜暴富。 香港富商之子华星受父亲所托到西班牙拍回国宝夜明珠,华星不愿将价值两亿五千万美元的夜明珠给捐赠出去,于是携宝私逃。路途中,夜明珠被元宝家的种牛误食。于是展开了一系列,笑料连连的故事......
影片讲述四个“异类”——“垃圾侠”盖瑞特·加里森(杰森·莫玛 饰)、亨利(塞巴斯蒂安·汉森 饰)、娜塔莉(艾玛·迈尔斯 饰)和道恩(丹妮尔·布鲁克斯 饰)——正为生活中的琐事苦恼时,突然被拉入一个神秘的传送门,进入了“主世界”:一个依赖想象力的奇异方块乐园。为了回到现实 世界,他们不仅要掌握这个世界的规则,还要在不速之客——资深工匠史蒂夫(杰克·布莱克 饰)的帮助下,迈上一场魔幻探险之旅。探险之旅充满挑战,五人必须要勇敢面对,发掘各自独特的创造力。创造力,正是他们重返现实世界的关键技能。
以泰州市公安局海陵分局城中派出所为原型,故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警,被安排给社区修路和走访4000多户居民,并在所长的帮助下克服了自身问题毛病,从而成长为一名真的社区民警。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
剧情讲的是一个邋遢的警察,在一次日本歌舞妓艺人遇害现场,偶然的继承了神奇的力量,化身为古怪的歌舞伎大侠,惩罚邪恶,片中充满了西方人对东方文化的错误理解以及粗糙暴力的流血场面,我看得热血沸腾,简直无心去干别的了.
故事发生在一个美丽的鸟类王国之中,某日,反对派的叛变破坏了这里的宁静。主人公丑小鸭(苏倩芸 配音)的父母为了保护琉璃鸟而神秘失踪。为了解开琉璃鸟的秘密,找到自己的父母,丑小鸭和好朋友丑小八(王雪沁 配音)踏上了寻找老猫法师的征程。然而,他们并不知道危险正在悄然逼近。 在反对派的鼓动下,鸟类对人类发动了战争。为了阻止战争的进一步扩大,丑小鸭决定登上琉璃塔,这是一座神秘的塔,背后可能隐藏着天大的秘密。这个决断表明了丑小鸭为了保护王国和解开谜团愿意付出一切。前方等待着丑小鸭的将会是什么,可能是艰难的冒险、重重困难,以及关乎整个王国未来的秘密。
乔(尼克·罗宾逊 Nick Robinson 饰)的母亲在他很小的时候就离开了他,现如今,他和父亲弗兰克(尼克·奥弗曼 Nick Offerman 饰)过着相依为命的日子。弗兰克是一个非常独断专行的男人,控制欲极强的他无时不刻的想要控制乔生活里的方方面面。和乔境遇相同的还有帕特里克(加布里埃尔·巴索 Gabriel Basso 饰),他也因为家人们的过度关注而感到窒息。 一天夜里,乔和好友比阿基奥(莫伊塞斯·阿里亚斯 Moises Arias 饰)意外发现了一处人迹罕至的森林,和帕特里克一起,感受到了大自然召唤的孩子们决定离家出走,在这片森林里建立他们的乌托邦,这段牢不可破的友谊在一位名叫凯利(艾琳·莫里亚蒂 Erin Moriarty 饰)的女生介入之后,发生了微妙的变化。
咖啡店的糕点师唐木有一本漫画书叫撩妹宝典,他渴望有一天可以遇见他的女神。 唐木遇见小鱼的第一天,他就喜欢上了这个女生,并开始偷偷的以他和小鱼为原型创作漫画。 唐木和小鱼开始约会时,小鱼告诉唐木,每一个和她在一起的人都不会超过七天,唐木希望能以真心打动小鱼。他们渡过了浪漫的六天,然而在第七天唐木正式向小鱼表白时,小鱼毫无征兆地提出了分手。情绪崩溃的唐木独自买醉,却偶遇了几百年来无法投胎的帅哥宦官“宝典”。宝典和唐木达成协议,唐木将自己的身体借给宝典,让宝典去追求女生,感受恋爱的味道。
来自农村的大老粗张大宝在儿子新房里偷偷跳郑多燕的健身操时,意外撞见了刚好回家的亲家母徐丽珠,两人就此“不打不相识”。后来二人又接连闹出了诸多令子女啼笑皆非的趣事。随着日渐相处,几人的关系逐渐密切,正当一家人其乐融融地为儿女举办婚礼时,徐丽珠的前夫徐国强出现在婚典现场,为女儿送出祝福后又不辞而别。几天后一个快递的到来,一直不知情的徐丽珠这才得知一个丈夫隐瞒多年却又令人感动落泪的秘密。
史提迪是一个热爱棒球的人,他甚至疯狂到没有一个正当的工作,唯独能和棒球相提并论的只有他的女友,珍。与珍相处过后他非常想要娶她为妻,但必须先要有份正当的工作,更重要的是因为铁路公司想私下低价收购祖父的包柏马车公司,她希望能确定她祖父的马车事业能被保住。史提迪想尽办法组织邻居、老朋友甚至流浪狗,用尽所有方式阻挠他们的计划。
来自山村,却爱好古玩的“老七”,带着侄子“小七”在城市里做瓦匠。老七希望能赚到钱,在城市里买上房子,然后把老娘、妻女接来共同生活,再给侄子找一个城里姑娘做媳妇。而他的侄子小七,却一心想着攒够三万元钱就回山村,完成他和乡村女教师秀花的梦想:给山村孩子们盖上宽敞的教室。叔侄俩为一去一留斗智斗勇。
拜金女缇娜是一名孤儿,从小被一家老人院的程院长收养。成年后的缇娜依靠自己年轻美貌性感的外形来吸引富商们的关注并骗取他们的钱财救济穷人。 某次缇娜敲诈一名大富商时判断失误不但失手还失了身,最令缇娜气氛的是酒吧的服务员吴用竟然喝醉酒后痴迷缇娜的美色遂装成富商勾引缇娜在总统套房内与缇娜发生了关系。 缇娜无意卷入当地地产大鳄胡氏集团董事长胡云雷设计的一场大阴谋,事关自己从小成长的养老院地契,自己性命也危在旦夕,恰好吴用偷听到整个计划,并决定帮助缇娜,缇娜被吴用的真诚所打动并慢慢的接受了吴用的感情。二人商定联合挫败坏人的阴谋,让老人留住自己的家,并制定了周密的计划。胡氏集团老董事长曾经是老人院程院长的旧情人,在得知真相后决定帮助他们。经过几番曲折的明争暗斗,正义战胜邪恶,平息了这场阴谋,胡云雷得到应有的惩罚,老人院恢复了平静,吴用和缇娜过上幸福的生活。