范大明白（崔志佳 饰）再次接到三百万葬礼，让人意想不到的是，这个项目来自于昔日的竞争对手—赵大明白（于洋 饰）。但众人时间、地点、人物任何信息都不知道，而唯一知道信息的赵大明白，却意外昏迷住进了医院。范大明白众人，也负责临时照顾赵大明白的儿子—赵乐乐。豪华葬礼的消息传了出去，曾经的艺术家们再次登门纷纷寻求合作，而这次豪华葬礼的背后，却不像表面如此的简单……
弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。
保罗·吉亚马提（Paul Giamatti 饰）是纽约一个剧团的演员，他正在排演契诃夫的戏剧《万尼亚舅舅》。但是这出戏让他身心疲惫，几近崩溃。偶然机会，保罗找到一家名为灵魂仓库的机构。利用先进的技术，保罗成功地将自己95%的灵魂提取出来。在此之后，他的演技没有任何进展，反而常常感到莫名的空虚，并且性格也发生变化。为了回归正常生活，保罗在医生的建议下“安装”了一个俄罗斯女人的灵魂，但却让他更加烦躁。他强烈建议要回属于自己的灵魂，却发现原本妥善保存的灵魂已经不翼而飞…… 本片荣获2009年捷克卡罗维发利国际电影节最佳男主角奖（Paul Giamatti）。
以泰州市公安局海陵分局城中派出所为原型，故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警，被安排给社区修路和走访4000多户居民，并在所长的帮助下克服了自身问题毛病，从而成长为一名真的社区民警。
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
大学毕业赋闲在家的陈家乐，去面试了村里拍戏的剧组群演一职，幻想能成为大明星。片场中由于导演与制片人不和而发生争斗，混乱中意外将祠堂的丽妃雕像撞破，漏出了里面埋藏千年的金银财宝和一份丽妃美容秘方。外出务工的年轻人纷纷回村要分钱，原本人之罕至的村子热闹了起来。村子组织村民把财宝保护起来，坚决交给国家做研考。不料村霸李富和化妆品公司老总lisa想要得到秘方为公司谋财；制片人想得到财宝为电影投资拍摄；家乐需要钱为他母亲治病。一场三路人马、各怀鬼胎的夺宝大戏上演。
剧情讲的是一个邋遢的警察，在一次日本歌舞妓艺人遇害现场，偶然的继承了神奇的力量，化身为古怪的歌舞伎大侠，惩罚邪恶，片中充满了西方人对东方文化的错误理解以及粗糙暴力的流血场面，我看得热血沸腾，简直无心去干别的了．
北条司著名漫画《城市猎人》的法国真人版，Nicky Larson（寒羽良）是人称“城市猎人”的私家侦探，他集幽默、正义、欣赏美女的天性于一身，擅长处理五花八门的棘手任务，深受委托人信赖。阿香与寒羽良为多年搭档，两人看似相爱相杀，实则互相关心，有一天，阿香为两人接来了一单神秘生意——保护一瓶无论谁用了都会魅力大增的香水，神探寒羽良和阿香即将开启新的一次冒险旅程，这一切背后交织着怎样的阴谋，又有多少人卷入了这场啼笑皆非的大战中......
城市大龄女孩躺躺爱上了快递员久小七, 正当他们打算步入婚姻殿堂时遭到了女方母亲薛婶的反对, 薛婶用房子作为条件逼久小七放弃自己女儿. 一对新人和薛婶玩起了各类战术. 薛婶无奈只能设局考验这个准“女婿”, 没想到久小七却没有按照薛婶的剧本走. 最终他没有买房, 没有彩礼便成功迎娶了躺躺……
这名小镇魔术师对足球毫无兴趣，但要想迎娶一生挚爱，他必须先带领当地球队闯进决赛。
两个情同手足的少年，在这座城市一起长大。因为宿命使然，他们分道扬镳，其中一个要去外面闯荡，另一个则选择留下，于是在出发前晚，两人相聚一个小餐馆，约定二十年后的同一日期、同一时间，来到这里再次相会。 二十年后，桑晓遍体鳞伤的回到了原地，却发现小餐馆已经变成了十字路口，他在那里等了许久，遇到一个等夜班车的男子，两人聊起了二十年前的那个约定，让桑晓没有想到的是，这个男子就是约定好二十年后跟他再见的苏强。而更令人想不到的是，二十年的岁月磨洗，已经让桑晓变成了一个恶行昭彰的通缉犯，而苏强却成了一个正义无私的警察。兄弟二人重逢在十字路口，再次面临宿命的选择。
在柏林工作的年轻人保罗·沃伊特（马提亚斯·施维赫夫 Matthias Schweighöfer 饰）有一份特殊的职业——专门帮已经不想爱的两个人分手。作为专业的分手专家，公司经常派遣他去全国各地了结感情纠葛。虽然保罗并不热爱自己的职业工作，但只要在两年内成功拆散1000对情侣，他就能得到晋升。于是保罗还是勉为其难地继续着这份“分手”工作。对于情侣分手时的各种过激反应，保罗早就习以为常了。但这次保罗要面对的客户可不那么容易解决，一位性情敏感又行为古怪的男子托托·库尔曼（米兰·佩斯彻尔 Milan Peschel 饰）让保罗简直濒临崩溃的边缘。阴差阳错的，陷入一片混乱中的保罗竟意想不到的遇见了他的真爱娜塔莉（凯瑟琳·德·林恩 Catherine de Léan 饰），从此保罗对于生活和爱情也有了新的认识。
成长在黑社会街区的亚飞（梁朝伟 饰）与阿基（张学友 饰）有着超过二十年的友情，胸怀黑社会之梦的二人平日却只是混事度日：砍人时临阵脱逃、从老大尸体上偷金表这些事他们做来毫不脸红，亚飞与阿基二人有着克死老大的神奇特质，他们的每一任老大下场都极其凄惨，尽数死于江湖大佬关公（汤镇业 饰）之手，一时间，二人“老大克星”的名头响彻江湖，连好友波哥（曾志伟 饰）也不敢收留。二人只好退出黑社会，借钱办起了贸易公司，但第一单生意居然是诓骗新加坡女子阿真（袁咏仪 饰）卖身，不忍逼良为娼的二人大闹黑社会，生死关头被关公手下带走，原来笃信命理的关公要借助二人的硬命渡过劫数，于是，在黑社会摸爬多年的二人终于迎来了翻身之日……
