阿诺拉

　　一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目，他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰，警铃声响将被抵销……
　　班被债主迫得走投无路，决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目，然后溜进隔壁的银行偷窃，利用音波互相干扰来抵销警铃声响。怎料波折重重，这群笨贼屡次失手，国际刑警突然出现，死对头又走来搞破坏……

　　1930年代，上海。神偷包德（淳于珊珊 饰）大名鼎鼎，疾恶如仇，他收养了一批无家可归的孤儿。一日，包德用窃来的伪钞到赌场赚取大把美钞，朱督察（安瑞云 饰）发觉后命巡捕辑拿包德。法庭上，大律师夏炳运（周里京 饰）为包德作无罪辩护，包德得以当庭释放。后夏炳运出任赈灾委员会主席，妄图独吞赈灾款200万元，并栽赃包德，不明就里的法庭判处包德50年徒刑。夏的同伙李三（计春华 饰）趁机骗走包所收养的孤儿，训练他们做小偷。包德幸而被夏的女儿嘉惠（剧雪 饰）相帮逃出牢笼，他救出被骗的孤儿，同时也获取了夏炳运的罪证。夏炳运夫妇荒乱中将赃物扔进了粥锅，包德见状，心生一计......

　　A man foils an attempted murder, then flees the crew of would-be killers along with their intended target as a woman he's just met tries to find him.

　　本片讲述了离家出走多年返乡的梁歌，发现患老年痴呆的父亲已不认识他，母亲也被父亲赶出了家门，家里还莫名多出一个企图欺骗父亲钱财的女骗子，为了解决家庭危机，梁歌和邻居们联手上演了一系列疯狂，幽默的搞笑事件！

　　讲述一群走上不归路的逃亡者，在路上发生的一系列意外囧事。

　　大老板李成功（徐峥 饰）遇上挤奶工牛耿（王宝强 饰）之后，旅途便频出状况。被情人逼迫回长沙老家跟老婆摊牌的李成功，机场遭遇到前往长沙讨债的乌鸦嘴牛耿。牛耿人如其名，不但耿直憨厚，而且透出一股傻气。先是登机前安检一口气喝完一大罐牛奶，后来又飞机上让乘务员开窗，好不容易折腾到飞机到达长沙上空，结果让他咒得因长沙大雪飞机被迫返航。无奈挤上火车硬座车厢的李成功刚松了一口气，却又一次在人群中看到牛耿。牛耿就像李成功生命中的瘟神一样，只要他“金口一开”，便会出现如他所言的意外。由于途中的频频意外，两人从火车换乘巴士，又从巴士爬上拖拉机。尽管牛耿的乌鸦嘴让李成功吃尽苦头，但这个混身透着傻气的青年却用自己真诚与乐观感染着李成功。一路的颠簸之后，两人最终到达长沙又回到各自的生活轨迹中去，然而旅途中所遭遇的种种却影响着两人之后的生活……
　　本片由香港资深电影人文隽担当监制。

　　如小熊从冬眠中醒来，我已开始爱上这样的一个你。」在图书馆里，Hyun Choi (Bae Du Na)发现书中留下这样的一句话，再看另一本书，也是冩著同一句话。到底是谁留下的字？不知不觉间，这句话已扣著Hyun Choi的心弦，她要找出那个静静留低这些话的人…… Hyun Choi是普通朝九晚五办公室上班一族，过去经常因为性格太倔强，多次遭男友们抛弃。当她决定要找出那个神秘留话人的时候，原来真正的爱情已在那一刻发生。 Yong Lee首次执导之作《Do you like spring bear?》，由Bae Du-na及前身为模特儿的Kim Nam-jin主演，清新演绎一段神秘浪漫的现代爱情。

　　泰迪（吉恩·怀尔德 Gene Wilder 饰）经营着一家广告公司，生意十分的红火。泰迪拥有一位美丽的太太和一个可爱的小女儿，几乎可以算得上是模范中产阶级。然而一次偶然中，泰迪在停车场邂逅了一位名叫夏洛特（凯莉·勒布洛克 Kelly LeBrock 饰）的年轻女子，这匆匆的一瞥竟然让泰迪丢了魂。
　　令泰迪没有想到的是，不久之后，他竟然在自己的办公室与夏洛特重逢了。原来，夏洛特是一名模特，要和自己的公司合作拍摄一支广告。这场重逢令泰迪本就蠢蠢欲动的心再也按捺不住了，他对夏洛特展开了火热的攻势。公司里的职员们看到老板意乱情迷，自然都纷纷“拔刀相助”。

　　以泰州市公安局海陵分局城中派出所为原型，故事讲述刚从警校毕业的张晓鸥分配到城中派出所做片儿警，被安排给社区修路和走访4000多户居民，并在所长的帮助下克服了自身问题毛病，从而成长为一名真的社区民警。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　中国第一部反应农村循环经济的电影。
　　《喜临门》讲述了东北农村三个家庭之间的故事。当铺屯的曹老倔家养鹿，刘兴旺家种菜，孙巧巧家开旅馆。但曹老倔家的鹿经常踩了刘家的菜，又到孙家旅馆跟前随地“大小便”，导致三家产生矛盾。偶然路过当铺屯的“海归”农业博士罗晓飞阴错阳差被卷进矛盾当中，最终他用科学知识引导大家发展绿色循环经济，让彼此的事业互相支撑，一块发家致富。
　　以铁岭某村的新变化为切入点，展示经过改革开放30年后，东北社会主义新农村的科技兴农、环保兴农的美好、繁荣景象。

　　勇往直前的少女阿由叶开始了告白的新征程！新来的数学老师竟然是在餐馆帮她付钱的大帅哥？一直在告白与被拒绝中徘徊的阿由叶人生16年来第一次被表白！可是这真的是她想要的两情相悦吗……？