简如西尔万

　　弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。

　　泰迪（吉恩·怀尔德 Gene Wilder 饰）经营着一家广告公司，生意十分的红火。泰迪拥有一位美丽的太太和一个可爱的小女儿，几乎可以算得上是模范中产阶级。然而一次偶然中，泰迪在停车场邂逅了一位名叫夏洛特（凯莉·勒布洛克 Kelly LeBrock 饰）的年轻女子，这匆匆的一瞥竟然让泰迪丢了魂。
　　令泰迪没有想到的是，不久之后，他竟然在自己的办公室与夏洛特重逢了。原来，夏洛特是一名模特，要和自己的公司合作拍摄一支广告。这场重逢令泰迪本就蠢蠢欲动的心再也按捺不住了，他对夏洛特展开了火热的攻势。公司里的职员们看到老板意乱情迷，自然都纷纷“拔刀相助”。

　　影片讲述四个“异类”——“垃圾侠”盖瑞特·加里森（杰森·莫玛 饰）、亨利（塞巴斯蒂安·汉森 饰）、娜塔莉（艾玛·迈尔斯 饰）和道恩（丹妮尔·布鲁克斯 饰）——正为生活中的琐事苦恼时，突然被拉入一个神秘的传送门，进入了“主世界”：一个依赖想象力的奇异方块乐园。为了回到现实 世界，他们不仅要掌握这个世界的规则，还要在不速之客——资深工匠史蒂夫（杰克·布莱克 饰）的帮助下，迈上一场魔幻探险之旅。探险之旅充满挑战，五人必须要勇敢面对，发掘各自独特的创造力。创造力，正是他们重返现实世界的关键技能。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　大学毕业赋闲在家的陈家乐，去面试了村里拍戏的剧组群演一职，幻想能成为大明星。片场中由于导演与制片人不和而发生争斗，混乱中意外将祠堂的丽妃雕像撞破，漏出了里面埋藏千年的金银财宝和一份丽妃美容秘方。外出务工的年轻人纷纷回村要分钱，原本人之罕至的村子热闹了起来。村子组织村民把财宝保护起来，坚决交给国家做研考。不料村霸李富和化妆品公司老总lisa想要得到秘方为公司谋财；制片人想得到财宝为电影投资拍摄；家乐需要钱为他母亲治病。一场三路人马、各怀鬼胎的夺宝大戏上演。

　　在别人眼里，仁雅（孙艺珍 饰）到目前为止的人生绝对都是完美的令人嫉妒。想法奇妙，又是狂热球迷的她却有一个大家公认的好好丈夫德勋（金柱赫 饰）来包容和宠溺。对于德勋而言，妻子是世界上最好的女人，拥有众多追求者的仁雅最后却选择了他，让他甘愿包揽所有的家务事，尊听妻子的话，给予她最大限度的自由。可这些无边无尽的包容却似乎还是抵不过妻子的好奇心。终于有一天，妻子颇为严肃的对德勋说，我想要再婚！听到这句话的德勋经历了从“愣住了”到反思自己的过程，最后不得不帮助妻子实现她的重婚计划……
　　本片改编自韩国第二届世界文学赏的获奖小说，上映后获得了多项大奖。

　　曾经不可一世的厨神王金银（白云峰 饰）在比赛中遭遇意外，武功尽失，一觉醒来竟发现自己衣衫不整，身无分文被当作快递寄到了陌生的凤城菜市场，更被美女老板阿珍（萌小叶 饰）误当变态扭送警局。两人不打不相识，善良的阿珍收留了无家可归的王金银。王金银开始了在阿珍私房菜馆啼笑皆非的卖身打工日子。但神秘势力接踵登场，阿珍的酒鬼养父，对阿珍势在必得的大头斌，神龙见首不见尾的陈大师，还有王金银的宿敌小林三郎…各人心怀鬼胎，齐聚凤城，即将在这厨师之乡掀起一场更大的大风暴……阿珍和王金银能否携手战胜对手，破解阴谋？

　　一个人神共存的时代，由人心演变的能量组织——正能量与负能量小组，分别引导人类行好运或衰运。“扫把星”刘白（陈国邦 饰）带领阿明（冯博 饰）走向衰运，但因与组内另一队员夏情(陈嘉桓 饰) 竞争，最终没料到竟将衰事变成好事...

　　《三国志》，是围绕公元200年左右，中国后汉时期，魏蜀吴三国争夺天下霸权、群雄割据的相关史实整理而成。这次的电影则是同时担任剧本工作的福田导演，在《三国志》的基础上，增添了新解释的作品。

　　不知何年，妖界大乱。新妖王对前代势力痛下杀手，更誓要对前妖后腹中的孩子斩尽杀绝。妖后一行躲避追杀来到地处大山深处的永宁村，偏巧遇到捉妖天师霍小岚（白百何 饰）和罗刚（姜武 饰）。一番混乱过后，妖后自知气数将尽，遂将妖蛋放入永宁村保长宋天荫（井柏然 饰）的腹中保存。是夜，小岚所属的天师堂掌门人葛千户（钟汉良 饰）率领手下血洗永宁村，天荫不得已随小岚逃亡。时机成熟，萝卜妖怪胡巴降生人间。在接下来的旅途中，小岚和天荫对彼此的了解不断加深，而胡巴也终于成为他们中间最不可割舍的重要存在。
　　战争仍在继续，人和妖的界限日渐模糊……

　　这次摩根一家计划了一个完美的假期，但老爸丹的往事继续困扰着他们。

　　该片改编自曾前往阿富汗的前《芝加哥论坛报》记者Kim Barker(蒂娜·菲饰)的自传《混乱塔利班》，潮爷饰演一名与Barker共享战地时光的摄影记者。