田上是一位英俊潇洒、风流倜傥的成功创业者，有一天他突然发现自己那“男人的尊严”不见了！更要命的是，他必须在6天内找回来，否则就将永远变“太监”，于是他急切地踏上了“寻根”之旅。曾以《摄影机不要停》创下日本电影界以小搏大票房奇迹的鬼才导演上田慎一郎在这部新作中再次大开脑洞、剑走偏锋，为观众带来一部无厘头风格的鬼马狂想曲。看似荒诞无稽的“寻根”之旅，实际亦是找回初心的成长过程，让观众在捧腹爆笑之余，更能感受到那一丝泪目温情。
凯特（艾米莉亚·克拉克 Emilia Clarke 饰）是一个非常平凡的女人，每天都过着浑浑噩噩的日子，她的个性和一连串错误的选择导致她如今只能在一家全年无休的商店里当店员。无家可归的凯特借住在朋友家里的沙发上，虽然凯特有一位很爱她的母亲阿黛拉（艾玛·汤普森 Emma Thompson 饰），但凯特却因为某些心结而拒绝回家和母亲同住。 某日，一位名叫汤姆（亨利·戈尔丁 Henry Golding 饰）的男子出现在了凯特的面前，成为了照亮她前路的明灯，汤姆的出现让凯特开始意识到自己的人生或多或少出现了问题，在汤姆的帮助之下，她开始正视自己和母亲之间的矛盾，并且开始一步一步的纠正自己错位的人生。
在创业浪潮影响下，大学生元宝突发买头西班牙公牛做配种生意的奇想，说服父亲牛长寿和父亲的相好周会巧凑钱成立配种公司，马经理也趁机接手了一家频临倒闭的养牛公司，他们都自信有办法一夜暴富。 香港富商之子华星受父亲所托到西班牙拍回国宝夜明珠，华星不愿将价值两亿五千万美元的夜明珠给捐赠出去，于是携宝私逃。路途中，夜明珠被元宝家的种牛误食。于是展开了一系列，笑料连连的故事......
An obsessively punctual comprehensive school headmaster sets out to give an important speech at the annual Headmasters' Conference.
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
天使1号（黎明）很懒惰，所以选择做了时间、地点、谁该死都不用操心的杀手。天使2号（李嘉欣）很冷艳，是1号的上线，喜欢华服夜出为1号清理房间。天使3号（金城武）很怪异，从不讲话的他爱做的事是半夜撬开别人的店面做生意和拿着摄像机将老爸拍个遍。天使4号（杨采妮）很“现实”，虽无法忘记旧 男友，却也能转身用另外的方式将自己安慰。天使5号（莫文蔚）很神经，喜欢在大雨夜冒出。 五位天使在自己的生活轨道上固执寂寞地前行着，为了避免换回更多伤心，他们在轨迹交叉时会提醒自己“忘记他是他”，可是，他们的真情还是会不由自主地流露出来。
菲尔（阿伦·瑞克曼 Alan Rickman 饰）是一名发型设计师，他和妻子莎莉（娜塔莎·理查德森 Natasha Richardson 饰）经营着一家美发店，是圈内人人羡慕的神仙眷侣。令众人大跌眼镜的是，莎莉竟然离开了菲尔，不仅如此，她也开了一家美发店，成为了菲尔的竞争对手。遭遇妻子背叛的菲尔一蹶不振，在日复一日的消沉中，他逐渐忘却了自己的梦想。 一次偶然中，菲尔得知自己所在的小镇上即将举行一场全国性的美发大奖赛，经过反复的思想斗争后，他决定重拾梦想，再次走上赛场。同样参赛的还有莎莉和菲尔的老对手雷（比尔·奈伊 Bill Nighy 饰）。在目睹了同行是怎样不择手段的向着冠军宝座迈进后，菲尔和莎莉明白，为了赢得比赛，为了维护行业的声誉和荣耀，他们必须像从前那样，联手作战。
凯特（波茜娅·道布尔戴 Portia Doubleday 饰）是一个非常平凡的女生，梦想着能够成为一名职业服装设计师。可是入行了一段时间后凯特渐渐发现，只凭借自己目前的名气是永远都无法出人头地的，无奈之下，她只得加入了继母爱丽丝（罗伦·荷莉 Lauren Holly 饰）所开设的服装公司，开始了寄人篱下的生活。 和凯特一起工作的，还有凯特的两个义姐塔尼斯（娜塔莉·科瑞尔 Natalie Krill 饰）以及西蒙尼（安娜·霍普金斯 Anna Hopkins 饰），本来就对妹妹看不顺眼的姐姐们自然不会给凯特什么好果子吃。一次偶然中，凯特发现姐姐们竟然抄袭别人的设计，东窗事发之后公司的声誉一落千丈，濒临破产的边缘。
史提迪是一个热爱棒球的人，他甚至疯狂到没有一个正当的工作，唯独能和棒球相提并论的只有他的女友，珍。与珍相处过后他非常想要娶她为妻，但必须先要有份正当的工作，更重要的是因为铁路公司想私下低价收购祖父的包柏马车公司，她希望能确定她祖父的马车事业能被保住。史提迪想尽办法组织邻居、老朋友甚至流浪狗，用尽所有方式阻挠他们的计划。
这次摩根一家计划了一个完美的假期，但老爸丹的往事继续困扰着他们。
这名小镇魔术师对足球毫无兴趣，但要想迎娶一生挚爱，他必须先带领当地球队闯进决赛。
骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。
Renee（舒默饰）一直因为缺乏安全感而感到困扰。然而，一起意外过后，她开始相信自己是这世上最美的女人。她重获自信，并开始充实自己的生活，但如果她发现自己的外貌一直没有改变，又将发生什么呢？
