独闯东柏林

　　林满月是一个性格开朗，对生活持有乐观积极态度的小妞，她有着一群性格各异的好闺蜜。一次意外使她背上了不菲的债务。为了偿还债务，她被迫走上了成为“女神”的道路，不料换来的却是束缚和忧伤，逐渐失去亲情和友情…… 成为女神的林满月能否重拾初心，找回自己？闺蜜们又该何去何从？

　　生活美满幸福的小夫妻菲奥纳（菲欧娜·戈登 Fiona Gordon 饰）和多姆（多米尼克·阿贝尔 Dominique Abel 饰）是一对过着平静生活的乡村教师。两人平日里最大的乐趣来自他们的共同爱好：伦巴。痴迷伦巴的二人，经常在周未参加国内的舞蹈比赛，家里摆放着满满的奖杯。
　　一夜，刚刚参加完比赛的菲奥纳和多姆正开车回家，然而一名企图自杀的男人突然冲到马路中央。为了避闪这名疯狂的男子，多姆不得已下急速调转了车子，却不幸的撞向了一面墙壁。幸运的是，两人死里逃生。然而多姆在车祸中丧失了记忆，菲奥纳更不幸的断了一条腿。他们的生活就这样被完全颠覆了，陷入一片混乱之中。

　　在亚当（阿什顿•库奇 Ashton Kutcher 饰）的成长经历中，艾玛（娜塔丽•波特曼 Natalie Portman 饰）总是时不时的出现，所以两个人可以算是朋友。一次，亚当探望自己明星父亲时发现，父亲居然和自己的前女友同居了，这让亚当无论如何也不能接受，在遭遇情感的重创之后，亚当决定要随便找一个女性朋友上床发泻抑郁。宿醉的亚当醒来之后，发现自己居然裸着身体在艾玛家里，在达成“只谈性不谈爱”的协议之后，两人便开始时不时的幽会。随着时间的推移，亚当发现自己似乎对身边这个特立独行的女孩动了心，但是艾玛却表示不能接受亚当的爱意，所以他们最终决定结束这种关系。但是，分手之后二人才发现，他们早已习惯了彼此……

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　本节目借由最新资讯，追溯英国皇室如何在过去100 年来，挺过权力争夺和政治倾轧。

　　凯利（达芙妮•祖尼加 Daphne Zuniga 饰）是一个非常喜欢跳舞的奔放女孩，然而，她的父母却希望她能够进入法学院深造，非常不支持凯利去实现她的舞蹈梦想。在和家人因为梦想而爆发了无数次的争吵后，凯利渐渐萌生了放弃梦想的年头。
　　在父母的强迫下，凯利前往印度参加一场婚礼，在婚礼现场，凯利第一次领略到了印度舞蹈的风采。欢快的音乐和舞动的人群让凯利再也压抑不住内心的冲动，加入了跳舞的队列之中，她的惊人举动也令她结识了名为亚信（保罗•麦克吉莱恩 Paul McGillion）的男子。当地的印度舞蹈团邀请凯利加入他们的队伍，凯利将自己擅长的街舞元素加入了传统印度舞蹈之中。

　　本片改编自一个古典的捷克传说：一个钟表匠杰米和他那爱嫉妒的朋友——一只调皮的山羊的故事。他们俩冒险去救布拉格的巨大时钟和杰米的爱人，她被一股试图阻止钟表成形的邪恶力量所控制。

　　在遥远的天界，有一群剧作家终日笔耕不辍，撰写着每一位人类的人生。负责为他们端茶倒水的茶助（松山研一 饰）熟悉作家笔下的每一个人物，内心不时点评臧否着他们的创作手法以及人类的百样命运。因为无心向其中一位作家提了建议，导致茶助长久以来所喜欢的人类女孩新城百合（大野丝 饰）死于车祸。对此颇感自责的茶助跳下天界，决心在最后关头拯救女孩。其他作家暗暗帮助，派来笔下的古董商店老板种田润一（大杉涟 饰）和拉面小哥彦村（伊势谷友介 饰）帮助他完成使命。与此同时，另一股力量则千方百计要杀掉百合。
　　茶助一会儿变成天使，一会儿变成黑社会，而拯救百合的那份决心从来没有改变……

　　谎言发现机成濑（大沢たかお 饰）、演说达人响野（佐藤浩市 饰）、天才扒手（松田翔太 饰）和超准的人体生物钟雪子（鈴木京香 饰），这4个各有特长和偏才的家伙凑在一起，却商量组成一个超级无敌的抢劫银行的团伙。所谓强强联合，他们的行动几乎百发百中。不过常在河边走，哪有不湿鞋的道理？当他们又一次成功抢到4千万日元的时候，一伙蒙面歹徒突然杀出，上演了黑吃黑的好戏。不甘心落败，成濑等人重整旗鼓，决心抢回属于自己的巨款。一场充满紧张刺激和笑料的金钱争夺战旋即上演……
　　本片根据作家伊坂幸太郎的小说《陽気なギャングの日常と襲撃》改编。

　　After courting a woman called Vera for seven years, friends Jack and Leo decide to seclude themselves in the Vermont woods near her home, when she finally decides to accept a third man called Gideon.

　　三叔，二狗子，汪小迪三人从乡下来到城里，用打车软件叫到了车，顿时觉得这种有车就能赚钱的生意很吸引人，于是决定去买辆车，借着返乡的机会大赚一笔，没成想小轿车没买着却买了辆即将报废的公交车。感到不妥的三人却也觉得这辆车颇为有趣，因此决定愉快的开车上路。因为三人都不会开公交车，只能雇驾校教练当司机，一路上不断有人拦车拼车，三叔转念一想干脆就好好利用这个资源，随着车上的人越来越多，不知不觉中他们被卷进了一场脑力的角逐……

　　一支佣兵团队在圣诞夜突袭一栋富有人家的豪宅，并且挟持豪宅内的所有人为人质时，他们竟然遇到一个完全意想不到的强劲对手：圣诞老人（大卫·哈伯 饰），而且他会让他们知道圣诞老人并不是一个面容慈祥、心地善良的圣人。